{"id":40,"date":"2009-02-24T14:46:00","date_gmt":"2009-02-24T13:46:00","guid":{"rendered":"http:\/\/revuepolaire.com\/?p=40"},"modified":"2023-08-04T11:33:36","modified_gmt":"2023-08-04T09:33:36","slug":"maram-al-masri-les-ames-aux-pieds-nus","status":"publish","type":"post","link":"https:\/\/revuepolaire.com\/index.php\/2009\/02\/24\/maram-al-masri-les-ames-aux-pieds-nus\/","title":{"rendered":"Maram Al Masri, Les \u00c2mes aux pieds nus"},"content":{"rendered":"\n<p><strong>CAR \u00ab&nbsp;LES \u00c2MES AUX PIEDS NUS&nbsp;\u00bb NE SONT PAS TOUJOURS MORTES\u2026<br><\/strong><br><small>[vient de para\u00eetre aujourd\u2019hui 24 f\u00e9vrier 2009&nbsp;: Maram Al Masri, <em>Les \u00c2mes aux pieds nus<\/em>, \u00e9d. Le Temps des cerises, f\u00e9vrier 2009.]<\/small><\/p>\n\n\n\n<p>On le sait depuis Hugo&nbsp;: tout relevant de la mise en sc\u00e8ne en cette vie, toute \u0153uvre d\u2019art est \u00ab&nbsp;un point d\u2019optique&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb1\">1<\/a>]&nbsp;\u00bb&nbsp;; on le sait aussi depuis H\u00f6lderlin&nbsp;: ce qui compte en po\u00e9sie c\u2019est de trouver le moyen d\u2019\u00ab&nbsp;habiter le monde po\u00e9tiquement&nbsp;\u00bb, j\u2019ajouterais aussit\u00f4t&nbsp;: son propre corps po\u00e9tiquement&nbsp;; on le sait depuis Rimbaud&nbsp;: \u00eatre po\u00e8te, ce n\u2019est pas \u00e9crire des po\u00e8mes, c\u2019est une certaine fa\u00e7on d\u2019\u00eatre au monde&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb2\">2<\/a>]&nbsp;; on le sait depuis Nerval et depuis Rimbaud, dans la mesure o\u00f9 le po\u00e8te doit toujours dire&nbsp;: \u00ab&nbsp;Je suis l\u2019autre&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb3\">3<\/a>]&nbsp;\u00bb, \u00ab&nbsp;je est un autre&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb4\">4<\/a>]&nbsp;\u00bb, il faut croire Charles Baudelaire, notre \u00ab\u00a0patron\u00a0\u00bb, le regard po\u00e9tique rel\u00e8ve d\u2019abord de la compassion&nbsp;: avant de trouver \u00ab&nbsp;l\u2019autre&nbsp;\u00bb en soi \u2014 au sens ontologique, \u2014 il faut savoir se projeter dans l\u2019autre autour de soi&nbsp;: \u00ab&nbsp;[notre] semblable, [notre] fr\u00e8re&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb5\">5<\/a>]&nbsp;\u00bb, imaginer sa vie, voir au-del\u00e0 comme on regarde du dehors dans une fen\u00eatre, afin de pouvoir se coucher le soir \u00ab&nbsp;fier d\u2019avoir v\u00e9cu et souffert dans d\u2019autres que [soi]-m\u00eame&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb6\">6<\/a>]&nbsp;\u00bb.<\/p>\n\n\n\n<p>L\u2019\u00e9criture po\u00e9tique est par essence une \u00e9criture \u00ab&nbsp;sympathique&nbsp;\u00bb&nbsp;; au sens \u00e9tymologique d\u2019abord&nbsp;: \u00e9prouver de la sympathie, c\u2019est-\u00e0-dire&nbsp;: \u00ab&nbsp;souffrir avec&nbsp;\u00bb&nbsp;; au sens concret enfin&nbsp;: l\u2019encre sympathique est une encre qui ne se r\u00e9v\u00e8le qu\u2019avec la chaleur \u2014 ici la chaleur humaine \u2014&nbsp;: elle avoue le \u00ab&nbsp;palimpseste&nbsp;\u00bb&nbsp;; l\u2019humain s\u2019\u00e9crit sur de l\u2019humain&nbsp;; pour se voir, l\u2019humain a besoin de se superposer sur l\u2019humain pour se r\u00e9v\u00e9ler&nbsp;; c\u2019est ainsi, c\u2019est fatalit\u00e9. \u00ab&nbsp;Qu\u2019est-ce que le cerveau humain, sinon un palimpseste immense et naturel&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb7\">7<\/a>]&nbsp;?&nbsp;\u00bb demandait d\u00e9j\u00e0 Baudelaire&nbsp;? Toute \u0153uvre est ainsi \u00ab&nbsp;palimpseste&nbsp;\u00bb \u00e0 l\u2019image de son cr\u00e9ateur.<\/p>\n\n\n\n<p>Le g\u00e9nie a cela de propre qu\u2019il est universel. Maram Al Masri, po\u00e9tesse syrienne de langue et de culture arabe, semble parfaitement se retrouver dans ces conceptions po\u00e9tiques occidentales, qui, il est vrai, ont \u00e9t\u00e9 nourries \u00e0 l\u2019\u00e9poque courtoise par la po\u00e9sie arabe elle-m\u00eame, <em>via<\/em> Guillaume d\u2019Aquitaine et les troubadours, puisque pour nous, en Europe, en mati\u00e8re de po\u00e9sie lyrique, tout commence v\u00e9ritablement l\u00e0&nbsp;; soyons honn\u00eates et lucides.<\/p>\n\n\n\n<p>Par-del\u00e0, en de\u00e7\u00e0 des \u00ab&nbsp;fen\u00eatres&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb8\">8<\/a>]&nbsp;\u00bb de Maram Al Masri, ce qu\u2019il faut voir avec elle, en se projetant en elle jusqu\u2019\u00e0 parvenir au \u00ab&nbsp;non-\u00eatre&nbsp;\u00bb qui m\u00e8ne \u00e0 l\u2019universel, ce sont des femmes, des femmes battues par la vie\u2026 par la vie et par les hommes. Elles ont pour pr\u00e9noms ou noms&nbsp;: Yasmina, Betty, Awu Pam, Catherine, Fran\u00e7oise, Fatima, Gladis, Hatifa, Jocelyne, Aminata, Anne, \u00c9lodie, Sawzan, Madame Charles, Madame Chevrot, Madame Sigard, Marie-Pierre, Marie, Myriam, Nassima, Pascale, P\u00e9n\u00e9lope, Chantal, Georgette, Victoria, Sonia, Zohra, Agnieska, Magda, Le\u00efla, Josette, Khadija, Madeleine, Maria, Kha\u00efra, Tamara, Helena, Ciana, Na\u00efma, Mina, Monica\u2026 elles sont orientales ou occidentales \u2014 peu nous importe car elles sont femmes \u2014&nbsp;: elles croyaient avoir rendez-vous avec la vie, et n\u2019ont eu rendez-vous qu\u2019avec le ring de l\u2019espoir et du d\u00e9sespoir, qui vous envoie hors des tr\u00e9teaux, vous met K.O.<\/p>\n\n\n\n<p>Ils ont pour pr\u00e9noms&nbsp;: Flora, Sef, Sara, Bartosh, Fa\u00e2di, Salma, Samir, Cl\u00e9ment et Romain, Chlo\u00eb\u2026 ils sont les enfants de ces femmes jet\u00e9es hors du lit, du ring de la vie\u2026 des enfants qui continuent de r\u00eaver pour leur m\u00e8re une vie inaccessible, croyant comme disait le Petit P\u00e8re Rimbe \u2014 notre ma\u00eetre en po\u00e9sie \u2014 qu\u2019\u00ab&nbsp;\u00e0 chaque \u00eatre, plusieurs autres vies [\u2026] sembl[\u2026]ent dues&nbsp;\u00bb, que chaque \u00eatre ne peut avoir devant lui qu\u2019\u00ab&nbsp;une fatalit\u00e9 de bonheur&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb9\">9<\/a>]&nbsp;\u00bb.<\/p>\n\n\n\n<p>Et, aux enfants, comme aux femmes, il faut ajouter des lieux, des lieux qui ont une \u00e2me, des lieux qui pleurent\u2026 qui pleurent et qui r\u00eavent eux aussi&nbsp;; ils ont nom&nbsp;: cuisine, salle de bain, main courante, frigidaire, miroir, Gaza\u2026<\/p>\n\n\n\n<p>Le message de Maram Al Masri est clair et limpide comme une source claire au c\u0153ur d\u2019une oasis et du d\u00e9sert&nbsp;: c\u2019est un message d\u2019amour, de paix\u2026 c\u2019est aussi la grande interrogation du monde&nbsp;:<\/p>\n\n\n\n<p><strong>De lui, on attend<br>tout<br>Et sur ses \u00e9paules, on pose tous les poids<br>Est-ce qu\u2019il gu\u00e9rit des maladies&nbsp;?<br>Est-ce qu\u2019il r\u00e9pare les os cass\u00e9s&nbsp;?<br>Est-ce qu\u2019il traite les rhumatismes&nbsp;?<\/strong><\/p>\n\n\n\n<p><strong>De lui, on attend<br>tout&nbsp;:<br>changer la couleur de la mer<br>arr\u00eater les temp\u00eates<br>\u00e9teindre le feu\u2026<\/strong><strong> Mais<br>est-ce que l\u2019amour gu\u00e9rit de l\u2019amour&nbsp;?<\/strong><\/p>\n\n\n\n<p><strong>Ah&nbsp;! Comme si<br>il \u00e9tait capable de miracle&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb10\">10<\/a>].<br><\/strong><br>Oh&nbsp;! oui, certes&nbsp;: seul le chemin du d\u00e9sert m\u00e8ne \u00e0 l\u2019oasis. C\u2019est l\u00e0 la v\u00e9rit\u00e9 premi\u00e8re.<\/p>\n\n\n\n<p>\u2014&nbsp;Un bien beau livre&nbsp;!\u2026 Oh&nbsp;! oui&nbsp;!\u2026 bien beau\u2026<br>\u00ab&nbsp;Qui chante son mal l\u2019enchante&nbsp;\u00bb comme disait Joachim du Bellay.<br>Pauvres de nous et pauvres femmes&nbsp;!\u2026<br><br>\u2014&nbsp;Est-ce ainsi que les femmes vivent&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb11\">11<\/a>]&nbsp;?\u2026 Et les hommes, par cons\u00e9quent&nbsp;?\u2026<\/p>\n\n\n\n<p>\u00ab&nbsp;Il faut r\u00e9inventer l\u2019amour&nbsp;[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nb12\">12<\/a>].&nbsp;\u00bb<\/p>\n\n\n\n<p>Quand il n\u2019y a plus d\u2019amour, il faut r\u00e9inventer l\u2019espoir.<br>L\u2019espoir. Toujours.<br>On en revient toujours l\u00e0.<\/p>\n\n\n\n<p><small>[Maram Al Masri, <em>Les \u00c2mes aux pieds nus<\/em>, po\u00e8mes, avec une postface de H\u00e9l\u00e9ni Fistili, Psychologue Chef de service au foyer Louise Lab\u00e9, et un mot de Kahdija Nahar, \u00e9d. Le Temps des cerises, f\u00e9v. 2009, 12 euros.]<\/small><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh1\">1<\/a>]&nbsp;.\u2014 Victor Hugo, pr\u00e9face de <em>Cromwell<\/em>, 1828.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh2\">2<\/a>]&nbsp;.\u2014 Voir&nbsp;: Arthur Rimbaud, \u00ab&nbsp;Aube&nbsp;\u00bb, in <em>Les Illuminations<\/em>.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh3\">3<\/a>]&nbsp;.\u2014 La phrase est de celui que Baudelaire appelait toujours le \u00ab&nbsp;cher G\u00e9rard&nbsp;\u00bb.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh4\">4<\/a>]&nbsp;.\u2014 La formule c\u00e9l\u00e8bre d\u2019Arthur Rimbaud.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh5\">5<\/a>]&nbsp;.\u2014 Voir&nbsp;: Charles Baudelaire, \u00ab&nbsp;B\u00e9n\u00e9diction&nbsp;\u00bb, \u00ab&nbsp;Spleen et Id\u00e9al&nbsp;\u00bb, I, in <em>Les Fleurs du Mal<\/em>, 1857.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh6\">6<\/a>]&nbsp;.\u2014 Charles Baudelaire, \u00ab&nbsp;Les Fen\u00eatres&nbsp;\u00bb, in <em>Le Spleen de Paris<\/em>, XXXV.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh7\">7<\/a>]&nbsp;.\u2014 Charles Baudelaire, \u00ab&nbsp;Visions d\u2019Oxford&nbsp;\u00bb, \u00ab&nbsp;Le Palimpseste&nbsp;\u00bb, in <em>Confessions d\u2019un mangeur d\u2019opium<\/em>, VIII, in <em>Les Paradis artificiels<\/em>.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh8\">8<\/a>]&nbsp;.\u2014 Voir&nbsp;: Charles Baudelaire, \u00ab&nbsp;Les Fen\u00eatres&nbsp;\u00bb, in <em>Le Spleen de Paris<\/em>, XXXV.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh9\">9<\/a>]&nbsp;.\u2014 Arthur Rimbaud, \u00ab&nbsp;Alchimie du Verbe&nbsp;\u00bb, \u00ab&nbsp;D\u00e9lires, II&nbsp;\u00bb, in <em>Une saison en enfer<\/em>.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh10\">10<\/a>]&nbsp;.\u2014 Maram Al Masri, \u00ab&nbsp;De lui on attend tout&nbsp;\u00bb, in <em>Les \u00c2mes aux pieds nus<\/em>, \u00e9d. Le Temps des cerises, Paris, f\u00e9v. 2009, p. 116.<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh11\">11<\/a>]&nbsp;.\u2014 Pour paraphraser Aragon&nbsp;: \u00ab&nbsp;Est-ce ainsi que les hommes vivent&nbsp;?\u2026&nbsp;\u00bb<\/p>\n\n\n\n<p>[<a href=\"file:\/\/\/Users\/jean-louiscloet\/Desktop\/www.editions-polaire.com\/revue-polaire\/spip.php%EF%B9%96article236.html#nh12\">12<\/a>]&nbsp;.\u2014 Le mot d\u2019ordre est on le sait d\u2019Arthur Rimbaud.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CAR \u00ab&nbsp;LES \u00c2MES AUX PIEDS NUS&nbsp;\u00bb NE SONT PAS TOUJOURS MORTES\u2026[vient de para\u00eetre aujourd\u2019hui 24&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-40","post","type-post","status-publish","format-standard","hentry","category-voies-textes-critiques"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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