{"id":434,"date":"2008-06-30T15:39:00","date_gmt":"2008-06-30T13:39:00","guid":{"rendered":"http:\/\/revuepolaire.com\/?p=434"},"modified":"2023-08-06T15:40:23","modified_gmt":"2023-08-06T13:40:23","slug":"la-pensee-et-larchitecture","status":"publish","type":"post","link":"https:\/\/revuepolaire.com\/index.php\/2008\/06\/30\/la-pensee-et-larchitecture\/","title":{"rendered":"La Pens\u00e9e et l\u2019architecture"},"content":{"rendered":"\n<p><small>\u00ab&nbsp;La phrase po\u00ebtique peut imiter (et par l\u00e0 elle touche \u00e0 l\u2019art musical et \u00e0 la science math\u00e9matique) la ligne horizontale, la ligne droite ascendante, la ligne droite descendante&nbsp;; [\u2026] elle peut monter \u00e0 pic vers le ciel, sans essoufflement, ou descendre perpendiculairement vers l\u2019enfer avec la v\u00e9locit\u00e9 de toute pesanteur&nbsp;; [\u2026] elle peut suivre la spirale, d\u00e9crire la parabole, ou le zigzag figurant une s\u00e9rie d\u2019angles superpos\u00e9s [\u2026].&nbsp;\u00bb<br>Charles Baudelaire, second projet de pr\u00e9face aux <em>Fleurs du Mal<\/em>, 1861.<\/small><\/p>\n\n\n\n<p><br><br>Tout ce qui pense, tout ce qui est vraiment pens\u00e9 et qui vous pense, qui fait penser, s\u2019architecture dans l\u2019espace. Ce n\u2019est pas le propre de la sculpture, de l\u2019architecture ou de la danse seules, mais \u00e9galement de la musique, de la peinture et de la litt\u00e9rature.<\/p>\n\n\n\n<p>Toute pens\u00e9e incarn\u00e9e s\u2019\u00e9tage et s\u2019\u00e9tend, et tourne sur elle-m\u00eame pour ce faire comme une vis sans fin qui creuse jusqu\u2019\u00e0 l\u2019infini et de l\u2019espace et du temps, comme une spirale d\u2019A.D.N. Ainsi, un seul point d\u2019une \u0153uvre contient-il tous les points d\u2019une \u0153uvre et inversement. Ainsi, une seule \u0153uvre \u2014 et, partant, un seul point d\u2019une \u0153uvre \u2014 \u00e9veille-t-il \u00e9galement toutes celles qui l\u2019ont pr\u00e9c\u00e9d\u00e9e pour qu\u2019elle soit et toutes celles qui la perp\u00e9tueront, pour l\u2019ouvrir davantage au monde qu\u2019\u00e0 elle seule elle contient.<\/p>\n\n\n\n<p>Il y a des orchestrations musicales qui sont des architectures parfaites qui se per\u00e7oivent dans l\u2019espace et nous contiennent en nous d\u00e9multipliant, en nous clonant \u00e0 l\u2019infini de l\u2019espace et du temps sur tout l\u2019ensemble de leurs points.<\/p>\n\n\n\n<p>Il y a des \u0153uvres picturales qui, par le tournoiement subtil de l\u2019annulation des couleurs et des traits, des lignes et des courbes, par le jeu des contrastes, lequel nous aspire et nous dispose en chaque point de leurs combats, de leurs luttes o\u00f9 se vivent \u00e0 la fois sans cesse et mort et aussit\u00f4t renaissance, nous conf\u00e8rent la toute puissance d\u2019un d\u00e9miurge en train de concevoir un monde, non fini surtout, un <em>work in progress<\/em> exaltant.<\/p>\n\n\n\n<p>Il y a des \u0153uvres litt\u00e9raires et po\u00e9tiques qui, telle une partition aux multiples port\u00e9es s\u00e9mantiques \u2014 par leur orchestration de correspondances, de synesth\u00e9sies, de sentiments, de sensations, puis de polys\u00e9mies de sens \u2014 suscitent \u00e0 ce point nos cinq sens en les reliant dans une circulation infinie par le biais du fameux sixi\u00e8me, qu\u2019elles concurrencent ce monde au point d\u2019y r\u00e9insuffler pr\u00e9cis\u00e9ment l\u2019air qui lui manque toujours, le souffle qui manque.<\/p>\n\n\n\n<p>\u2014&nbsp;La pens\u00e9e est architecture.<\/p>\n\n\n\n<p>Elle s\u2019\u00e9tage, elle s\u2019\u00e9tend, elle \u00e9tend au monde.<\/p>\n\n\n\n<p>Elle cr\u00e9e cette circulation infinie et ind\u00e9finie qui nous fait habiter ce monde, qui nous permet enfin de nous fondre \u00e0 lui en s\u2019y projetant, de ne faire plus qu\u2019un avec lui, pour enfin cr\u00e9er l\u2019espace r\u00e9el, n\u00e9cessaire, d\u2019un autre monde, en son envers\u2026 pour lui donner enfin sa profondeur et sa couleur, son son, son \u00e9cho et son sens.<\/p>\n\n\n\n<p><small>[30 \/ VI \/ 08]<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab&nbsp;La phrase po\u00ebtique peut imiter (et par l\u00e0 elle touche \u00e0 l\u2019art musical et \u00e0&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-434","post","type-post","status-publish","format-standard","hentry","category-voies-textes-critiques"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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